Following up three consecutive years of sold out onsite workshops here at CAMP, we're extremely excited to present Mark Fell and Rian Treanor 's first online CAMP session together. We find that online workshops work best when the group's geographical diversity is used as a strength rather than a hindrance, and this series is the absolute epitome of that ideal.

The workshop will explore group dynamics using bespoke online music systems. Although the sessions have a technical basis, the workshop sessions address how those technologies facilitate and extend group practice, and the collective logics of networked interaction. This includes exploring the possibilities of shared rules and frameworks that structure our interactions within these technical systems; as well as the subsequent emergence of new and unfamiliar collective behaviours and musical aesthetics.

The workshop builds on Mark and Rian’s current interest in procedural group based works, as well as their online experiments in synchronised distributed interfaces to generative processes, such as the web-based Inter-symmetric works series.

Each session will be organised around related questions, themes and issues, which are explored with a combination of group performance, reflection and discussion. This multifaceted activity then informs the following session.

The workshop is open to all and does not require an understanding of any coding or technical environments — although a basic familiarity with computers is recommended.

Mark Fell is a UK-based multidisciplinary artist. Recognised as being "one of the most compelling and influential electronic artists in the world" (South Bank Centre), his practice draws upon electronic music subcultures, experimental film, contemporary philosophy and radical politics, and typically explores issues such as time-perception, technology, cognition, and collaborative process. Over the past 30 years Fell's output has grown into a significant body of work: from early electronic sound works and recorded pieces, to installation, critical texts, curatorial projects, educational systems and choreographic performances.

In 2017 Mark curated a major exhibition of sound art for V-A-C foundation (Moscow) "The Geometry of Now", and led a British council research project to India to study Carnatic music composition and emergent electronic arts (with AC Projects Glasgow). Serralves Foundation (Porto) premiered "Intermetamorphosis" (2017), collection of works by fell which included new commissions as well as a retrospective pieces. In 2018 he completed two large scale multi-spatial sound works: "Protomusic#1" for Sage Gateshead, forming their flagship contribution to the Great Exhibition of the North; and "Frameworks" at Palazzo delle Zattere (Venice). 2019 saw two new performative pieces including "Hominin" (Rewire, Den Haag) and "Against Method" (Pirelli Hanger Bicocca, Milan), as well as the solo exhibition "The Concept of Time is Intrinsically Incoherent" (Focal Point Gallery, South End on Sea). Drawing from sacred geometries to programming structures, these works underlined Mark's particular interest in non-linear systems and structures, and our complex inter-relationships with them.

The diversity and importance of Mark's practice is reflected in the range and scale of institutions that have presented his work, including: VAC Foundation Palazzo delle Zattere (Venice), Hong Kong National Film Archive, The Baltic (Gateshead), Museu d'Art Contemporani de Barcelona, La Casa Encendida (Madrid), Laboral (XIxon), The Institute of Contemporary Art (London), Royal Festival Hall (London), The Serpentine (London), Victoria and Albert Museum (London), Whitechapel Gallery (London), The Institute of Contemporary Art (London), Barbican (London), Raven Row (London), Seville Biennale, The Australian Centre For Moving Image (Melbourne), Artists Space (NYC), Moma (NYC), Issue Project Room (NYC), Corcoran (DC), Curtis R. Priem Experimental Media and Performing Arts Center (NY), Lampo/Graham Foundation for Advanced Studies in the Fine Arts (Chicago), Zentrum fur Kunst und Medientechnologie (Karlsruhe), Pirelli Hanger Biccoca (Milan) among others. Mark's work is in the collection of the Thyssen-Bornemisza Art Contemporary (Vienna) and has as been recognised by ARS Electronica (Linz). He has worked with a number of artists including: Yasunao Tone, Laurie Spiegel, Keith Fullerton Whitman, Okkyung Lee, Luke Fowler, Peter Gidal, Terre Thaemlitz, John Chowning, Ernest Edmonds, Peter Rehberg, Oren Ambarchi, Carl Michael Von Hausswolff and Mat Steel (as SND). Mark is currently guest professor of media art at Die Staatliche Hochschule fur Gestaltung Karlsruhe (HfG).

Rian Treanor re-imagines club culture, experimental art and computer music, presenting an insightful and compelling musical world of fractured and interlocking components. Having left a vivid impression with a string of releases on The Death of Rave & Warp sub-label Arcola, his debut album 'ATAXIA' for Planet Mu in 2019 established him as both a disruptive and essential new voice in British underground club music. His latest album 'File Under UK Metaplasm' takes inspiration from his residency at the Nyege Nyege collective's Boutique Studio in Kampala in 2018. Incorporating the high-def bass weight of his home town Sheffield with the enigmatic energy of Tanzanian Singeli and Footwork. Using the programming language Max/MSP he develops bespoke software to explore extended rhythmic techniques and algorithmic processes, building devices that enable spontaneous pattern modulation within various collaborations, workshops, live performances and installations. With recent live shows at the Aphex Twin Curated Warehouse Project (UK), Nyege Nyege Festival (UG), WWW (JP), Unsound (PL), CTM (DE), Le Guess Who? (NL), Mira Festival (SP), Rewire (NL), GES-2 (RU), Serralves (PT), Berghain (DE), No Bounds (UK), Cafe Oto (UK), Glasgow Centre for Contemporary Arts (UK), Empty Gallery (HK), Irish Museum of Modern Art (IRL), Summerhall (UK). He has also taken part in artists residencies at yU+co[lab] in Hong Kong, Counterflows in India and Shape Platform 2020.



WHERE AND WHEN?

This is an online course, but it involves realtime sessions and contact time with your tutor - it's not a "download these videos and watch them at your leisure" type of thing - it's a real workshop with live lectures, individual tuition, assignments and feedback sessions. We've tried to make this remote session as close as possible to the experience of an onsite workshop at CAMP. The course starts on 14/11/2024 and ends on 05/12/2024. The schedule for sessions is as follows (all times are CET):

• Session 1: 14/11/2024, 18:00 - 20:30 CET
• Session 2: 21/11/2024, 18:00 - 20:30 CET
• Session 3: 28/11/2024, 18:00 - 20:30 CET
• Session 4: 05/12/2024, 18:00 - 20:30 CET

HOW TO BOOK

To book your place on the course, click the button in the green section above. You won't pay anything right now - we'll send you a booking confirmation email with everything you need to know next. Your place is reserved without payment for three days.

You'll find a payment link in the booking confirmation email - follow the link to make a payment (either in full, or the first payment of a 2 month payment plan). In the latter case, a monthly payment plan will be put in place, so your card will be charged 1/2 of the fee today, and 1/2 each month (on the same day) for an additional 1 months. All card payments are handled by Stripe, and are extremely secure. We don't store any card data ourselves - all of this is handled securely off-site by Stripe. If you have a discount or grant code, you will be able to add it when you follow the payment link in your confirmation email.

Once you've made a payment, you'll receive another email containing your receipt, links to resources, contact information and access to our group chat to discuss the workshop with other participants.